论文标题
与语言模型共同编写的剧本和戏剧脚本：行业专业人士的评估
Co-Writing Screenplays and Theatre Scripts with Language Models: An Evaluation by Industry Professionals
论文作者
论文摘要
语言模型越来越吸引作家的兴趣。但是，这样的模型缺乏长距离的语义连贯性，从而限制了它们对长形创意写作的用处。我们通过在我们称为Dramatron的系统中应用语言模型来解决此限制。通过迅速链接构建结构上下文，戏剧可以生成连贯的脚本和剧本，并配有标题，角色，故事节拍，位置描述和对话。我们说明了Dramatron作为一种互动共同创造系统的用户研究，并与15个剧院和电影业专业人士进行了研究。参与者与戏剧共同创作剧院剧本和剧本，并进行了开放式访谈。我们报告了我们的受访者和独立审稿人的批判性思考，他们观看了作品的摊子，以说明戏剧和等级文本的生成如何对人类机器的共同创造有用。最后，我们讨论了戏剧对共同创造力，道德考虑的适用性，包括窃和偏见 - 以及用于设计和部署此类工具的参与式模型。
Language models are increasingly attracting interest from writers. However, such models lack long-range semantic coherence, limiting their usefulness for longform creative writing. We address this limitation by applying language models hierarchically, in a system we call Dramatron. By building structural context via prompt chaining, Dramatron can generate coherent scripts and screenplays complete with title, characters, story beats, location descriptions, and dialogue. We illustrate Dramatron's usefulness as an interactive co-creative system with a user study of 15 theatre and film industry professionals. Participants co-wrote theatre scripts and screenplays with Dramatron and engaged in open-ended interviews. We report critical reflections both from our interviewees and from independent reviewers who watched stagings of the works to illustrate how both Dramatron and hierarchical text generation could be useful for human-machine co-creativity. Finally, we discuss the suitability of Dramatron for co-creativity, ethical considerations -- including plagiarism and bias -- and participatory models for the design and deployment of such tools.
