论文标题
proteçãoIntectualde obras produzidas por sistemas baseados eminteligência人工：umavisãotecnicistasobre o tema
Proteção intelectual de obras produzidas por sistemas baseados em inteligência artificial: uma visão tecnicista sobre o tema
论文作者
论文摘要
在我们的社会中，人工智能（AI）的普遍性是毫无疑问的。即使在艺术中，AI也存在。一个臭名昭著的案例是“嘿！”歌曲。 Outkast Group，在2000年代取得了成功。目前，音乐行业开始基于数据做出决策，以根据听众习惯的预测制定策略。这种情况只是艺术中AI应用程序的无数例子之一。深度学习的出现使得构建能够准确识别绘画中艺术风格的系统成为可能。内容产生也是可能的；例如，DeepArt从两个\ textit {inputs}自定义图像：1）要自定义的图像； 2）一种绘画风格。根据基于AI的系统的特定样式的歌曲也可以产生。这种可能性引发了有关此类作品知识产权的疑问。在这种情况下，谁拥有基于人工智能的系统制作的作品的版权？给AI的创建者？补贴了该系统的开发的公司/公司？还是AI本身是创造者？本文旨在以技术人员的看法为AI生产的作品的版权适用性的讨论做出贡献。
The pervasiveness of Artificial Intelligence (AI) is unquestionable in our society. Even in the arts, AI is present. A notorious case is the song "Hey Ya!" of the OutKast group, successful in the 2000s. At this time, the music industry began to make decisions based on data to strategize based on predictions of listeners' habits. This case is just one of the countless examples of AI applications in the arts. The advent of deep learning made it possible to build systems capable of accurately recognizing artistic style in paintings. Content generation is also possible; for example, Deepart customizes images from two \textit{inputs}: 1) an image to be customized; 2) a style of painting. The generation of songs according to specific styles from AI-based systems is also possible. Such possibilities raise questions about the intellectual property of such works. On this occasion, who owns the copyright of a work produced from a system based on Artificial Intelligence? To the creator of the AI? The company/corporation that subsidized the development of this system? Or AI itself as a creator? This essay aims to contribute with a technicist view on the discussion of copyright applicability from works produced by AI.
