论文标题
用于研究绘画现实主义的机器学习范式:警官的云比他的同时代更真实?
A Machine Learning Paradigm for Studying Pictorial Realism: Are Constable's Clouds More Real than His Contemporaries?
论文作者
论文摘要
英国景观画家约翰·康斯特布尔(John Constable)被认为是19世纪欧洲绘画中现实主义运动的基础。他的同时代人认为康斯特布尔的彩绘天空非常准确,这是当今许多观众分享的印象。然而,即使对于专业艺术史学家来说,评估康斯特布尔(Constable)等现实主义绘画的准确性也是主观的或直觉的,这使得难以确定地说,使康斯特布尔的天空与他的同时代人不同。我们的目标是为对警员的现实主义有更客观的理解做出贡献。我们提出了一种新的基于机器学习的范式,用于以可解释的方式研究绘画现实主义。我们的框架通过衡量因其天空(例如constable)和云的照片而绘制的云的相似性来评估现实主义。云分类的实验结果表明,警官比他的同时代人更一致地近似他的绘画中实际云的形式特征。这项研究是一种新型的跨学科方法,结合了计算机视觉和机器学习,气象学和艺术史,是对绘画现实主义进行更广泛和更深入分析的跳板。
The British landscape painter John Constable is considered foundational for the Realist movement in 19th-century European painting. Constable's painted skies, in particular, were seen as remarkably accurate by his contemporaries, an impression shared by many viewers today. Yet, assessing the accuracy of realist paintings like Constable's is subjective or intuitive, even for professional art historians, making it difficult to say with certainty what set Constable's skies apart from those of his contemporaries. Our goal is to contribute to a more objective understanding of Constable's realism. We propose a new machine-learning-based paradigm for studying pictorial realism in an explainable way. Our framework assesses realism by measuring the similarity between clouds painted by artists noted for their skies, like Constable, and photographs of clouds. The experimental results of cloud classification show that Constable approximates more consistently than his contemporaries the formal features of actual clouds in his paintings. The study, as a novel interdisciplinary approach that combines computer vision and machine learning, meteorology, and art history, is a springboard for broader and deeper analyses of pictorial realism.